INTRO: [G#*] [C#maj7/F] [D#] : [x2]

VERSE 1:
You [G#*] say that [C#maj7/F] we've got [D#] nothing in [G#*] common
No [C#maj7/F] common [D#] ground to [G#*] start from
And [C#maj7/F] we're fall-[D#]-ing a-[G#*]-part [C#maj7/F] [D#]

VERSE 2:
You'll [G#*] say, the [C#maj7/F] world has [D#] come be-[G#*]-tween us
Our [C#maj7/F] lives have [D#] come be-[G#*]-tween us
But I [C#maj7/F] know you [D#] just don't [G#*] care [C#maj7/F] [D#]

CHORUS:
And [G#] I said, what about [D#] Breakfast at [C#] Tiffany's?
She [G#] said, I think I re-[D#]-member the [C#] film
And as [G#] I recall, I think, we [D#] both kinda [C#] liked it
And [G#] I said, well, that's the [D#] one thing we [C#] got

BREAK: [G#*] [C#maj7/F] [D#] : [x2]

VERSE 3:
I [G#*] see you; the [C#maj7/F] only [D#] one who [G#*] knew me
and [C#maj7/F] now your [D#] eyes see [G#*] through me
I [C#maj7/F] guess [D#] I was [G#*] wrong [C#maj7/F] [D#]

VERSE 4:
So [G#*] what now? It's [C#maj7/F] plain to [D#] see we're [G#*] over
And I [C#maj7/F] hate when [D#] things are [G#*] over
When [C#maj7/F] so much is [D#] left un[G#*]done [C#maj7/F] [D#]

REPEAT CHORUS:

REPEAT VERSE 1:

REPEAT VERSE 2:

REPEAT CHORUS:

BREAK: [G#*] [C#maj7/F] [D#] : [x4]

REPEAT CHORUS: [x2]

OUTRO: [G#*] [C#maj7/F] [D#] : [x4] // [G# open]

ADDITIONAL INFO:

[G#*]=[G#] ^[G#sus2]^[G#] ^[G#sus4]^[G#]

[*CHORDS*]
xx0230, Dsus2
x20032, Gmaj7/F

NOTE: The "ADDITIONAL INFO" section shows information based on the original song key only, and may not be modified when transposing.